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A. CAVAILLÉ-COLL, 1887
CAVAILLÉ-COLL / MUTIN, 1922
CAVAILLÉ-COLL / CONVERS, 1930
BEUCHET / DEBIERRE, 1970
BERNARD DARGASSIES, 1993
The Cathedral's Grand Orgue , built in 1887 by the prestigious French firm Aristide Cavaillé-Coll, was inaugurated on October 5, 1887, by Alexandre Guilmant. It has been suggested that Marcel Dupré is the person most responsible for the evolution of the instrument, which is still one of the largest in Paris: it was Dupré who acted as consultant, first in 1922, again in 1930, then again in the 1950's, with Maurice Duruflé. The latest restoration was completed in 1993 by the organ firm of Bernard Dargassies with the generous support of the Paulé Foundation and other Cathedral members. The organ was re-dedicated on February 21, 1993, and re-inaugurated on May 18, 1993, by Marie-Madeleine Duruflé, and on May 30, 1993, by Marilyn Keiser.
Since the 1993 restoration project, the organ has had a powerful and positive effect upon Cathedral services. In addition, many visitors and visiting organists have commented on the beauty and personality of its tone and the variety of sounds possible. Monthly auditions d'orgues, given on the afternoons of the third Sunday of each month, immediately before Solemn Evensong sung by the Choir, attract a loyal group of admirers.
A small, mechanical-action organ, built by the French firm of Erwin Müller, was placed in the rear gallery in 1970. In 1993 Monsieur Dargassies modified this organ and made it part of the Chancel Organ: the Cathedral's Grand Orgue is actually one organ in two parts. The Grand Choeur division "pulls the sound of the main organ into the nave of the Cathedral, and the two act as one," in the words of Canon Precentor Edward J. Tipton, Organist and Choirmaster.
GRAND ORGUE, 61 NOTES (Manual I)
Stop # Name Ft. pitch No. of pipes
1 Diapason 16'
2 Bourdon 16' (1st 12 from #69)
3 Montre 8' 4 Violoncelle 8' 5 Flûte Harmonique 8' 6 Bourdon 8' 7 Prestant 4' 8 Flûte 4' 9 Quinte 2 2/3' 10 Doublette 2' 11 Plein Jeu 3-5 ranks 12 Résultante de 16' 1 rank (from 2nd G) 13 Basson 16' 14 Trompette 8' 15 Clairon 4'
16 Cloches (Chimes) 32 tubes (prepared)
16 stops, 19 ranks 1092 pipes
POSITIF, 61 NOTES (73 pipes), enclosed, Manual II
17 Principal 8' 18 Bourdon 8' 19 Flûte 8' 20 Dulciane 8' 21 Voix angélique 8' (from C2) 22 Prestant 4' 23 Flûte douce 4' 24 Nasard 2'2/3 25 Doublette 2' 26 Tierce 1'3/5 27 Trompette 8' 28 Clarinette 8'
Trémolo
12 stops, 12 ranks 864 pipes
RECIT, 61 NOTES (73 pipes) enclosed, Manual III
29 Quintaton 16' 73
30 Diapason 8' 73
31 Flûte traversière 8' 73
32 Viole de Gambe 8' 73
33 Voix Céleste 8' 61 (from C2)
34 Flûte Octaviante 4' 73
35 Octavin 2' 73
36 Larigot 1 1/3 73
37 Plein Jeu 3-5 ranks 269
38 Cornet 3-5 ranks 221 (from C2)
39 Bombarde 16' 73
40 Trompette 8' 73
41 Clairon 4' 73
42 Basson-Hautbois 8' 73
43 Voix Humaine 8' 73
Trémolo
15 stops, 23 ranks 1366 pipes
SOLO, 61 NOTES (73 pipes), enclosed, Manual IV
44 French Horn 8' (pressure 20") 45 Tuba 8' (pressure 20") 46 Philomela 8' (pressure 8") 47 Viole 8' (pressure 8") 48 Voix Céleste 8' (C2, pressure 8")
49 Orchestral Trumpet 8' (prepared)
Trémolo
6 stops, 6 ranks 353 pipes |
GRAND CHOEUR (rear gallery), 61 notes,
unenclosed, on Manual IV
50 Montre 16'
51 Montre 8'
52 Bourdon 8'
53 Prestant 4'
54 Doublette 2'
55 Grosse Fourniture 2 ranks
56 Plein Jeu 4 ranks
57 Cymbale 3 ranks
58 Grand Cornet V 8'
59 Trompette 8'
60 Chamade 8'
61 Chamade 4' (ext. #60)
62 Chamade on Recit 8' --
63 Chamade on Recit 4' --
64 Montre 16' on Pédale --
65 Chamade 8' on Pédale --
66 Chamade 4' on Pédale --
17 stops, 21 ranks 1173 pipes
CLAVIER DE PEDALE, 32 NOTES, unenclosed:
67 Soubasse 32'(ext. #69)
68 Violoncelle 32' (ext. #71)
69 Soubasse 16'
70 Contrebasse 16'
71 Violoncelle 16'
72 Quinte 10'2/3 -- (borrowed #69)
73 Flûte 8'
74 Bourdon 8' (ext. #69)
75 Violoncelle 8'
76 Bourdon 4' (ext. #69)
77 Bombarde 32' (ext. #78)
78 Bombarde 16'
79 Trompette 8'
80 Clairon 4' (ext. #79)
14 stops, 7 ranks 296 pipes
TOTAL 80 STOPS, 88 RANKS, 5206 PIPES
ACCESSORIES
Couplers All manuals to Pédale at 8'and 4'
Solo, Récit, Positif to G.O. at 16',8', and 4'
Solo, Récit, to Positif at 16', 8', and 4'
Solo to Récit at 16', 8', and 4'
All manuals to self at 16', off 8', and 4'
Grand Orgue to Positif at 8'
Manual and Pédale reversibles
Solo, Récit, Positif to G.O. at 8'
Solo, Récit to Positif at 8'
Solo to Récit at 8'
Solo, Récit, Positif, G.O. to Pédale at 8'
Pédale reversible Soubasse 32'
Combinations General, 8 pistons above pedalboard
G.O.,Positif, Récit, 8 pistons each
Solo/Grand Choeur, 8 pistons
Couplers, 8 pistons
99 memory levels
4 programmable crescendi
1 programmable tutti
Programmable sequencer |
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